延 Extending
25 七月 2020

摄影,宝丽来Tip相纸,捏相工艺

该系列创作始于偶然在网上买到过期宝丽来相纸。由于相纸过期,感光剂不能正常成像,而后特意从网络回收各类型过期相纸及出厂残次品,用“无用的”相纸进行大量的手工捏相实验,得到一系列类似山水画般的影像。我们在透过媒介观看的同时,其实恰恰在观看媒介本身。那到底什么是摄影影像的本体?是对真实世界的再现?还是简单的化学反应?是个人、程式还是这个世界本身就决定了我们“创造”的影像?

Photography,polaroid Tip Film,Pinch images

The creation of the series began by chance in the online buy expired Polaroid film. Because the paper is outdated, the photosensitive agent can’t be imaged normally, and then all kinds of expired paper and the defective products are recovered from the network. A lot of manual kneading experiments are carried out with “useless” paper to obtain a series of similar images of landscape painting. While watching through the media, we are actually watching the media itself. So what is the ontology of photographic images? Is it a representation of the real world? Or a simple chemical reaction? Is it the individual, the program, or the world itself that determines the image of our creation?